|Published (Last):||21 February 2011|
|PDF File Size:||19.85 Mb|
|ePub File Size:||11.41 Mb|
|Price:||Free* [*Free Regsitration Required]|
From Wikipedia, the free encyclopedia. The original right-hand fingering was rather unnatural. Apart from melodic variations, there are also two sets on ostinato harmonies: Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index. As usual, fingerings are only suggestions; you may ignore them and choose your own. They are characterized by smooth, competent imitative writing in two and three voices.
Today, quatro narfaez spelled cuatro. As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound guardam. Views Read Edit View history. Retrieved from ” https: The intabulations are of high quality, but without any particular distinguishing features. Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature.
Diferencias sobre ‘Guárdame las vacas’ (Narváez, Luys de)
The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos.
He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V.
The new version matches more closely the original vihuela tablature by playing the measure in first position.
It consists of a set of variations on a Spanish folk theme. Volumes four to six have mixed content. Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. I’ve retained the previous version generated with Sibelius for those who want tablature or wish to compare Sibelius and LilyPond output.
Luis de Narváez – Wikipedia
Changed some fingering in measures 30, 32, and 33 to match original tablature. Guardame las vacas and Conde clarosboth in volume six. In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering. This page was last guradame on 21 Augustat The remaining music comprises villancicos, romances, and a Baxa de contrapunto.
If you can play Message in a Bottleyou shouldn’t have a problem with the fingering. Renotated using LilyPond, making some notational improvements along the way.
Changed beaming to match metrical changes. There is some debate over whether the full composition consists of four or seven variations.
Guárdame las vacas by Luys de Narváez
The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois. The most notable change is in measure 28, which I used to play with a fourth-position harvaez. Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature. The third volume of the collection is dedicated exclusively to intabulations of works by other composers: The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind.
Roman numerals in parentheses are not original and luye provided for convenience only. If you have trouble with the left-hand fingering for the scale run luyss measure 22, you’ll have to come up with an alternate fingering.
Actively Maintained LilyPond Output. Instead, the title page refers to siete diferencias de guarda me las vacas.